If my experience is any indication, personal letter writing has become rarer. The difference between emails and ‘real’ letters is surely related to why we write less even as it has become easier. But here I want to reflect on the importance and beauty of writing to loved ones and friends, either way. This is another ordinary aspect of human life that will reward our attention and intentionality.

In A Severe Mercy, Sheldon Vanauken expresses the essence of letter writing: “Writing a letter is a real form of conversation in which the image of the distant person is held in one’s mind.” There are two things here that strike me.

First, writing a letter is a form of conversation. Aristotle says that conversation is the most characteristic action of friends. There are of course levels of conversation, which vary according to the depth of relationship and the moral and intellectual habits of the persons involved. Cultivating an ability for rich conversation and seeking good contexts for it—and these cannot be taken for granted—are essential to a good life. This already suggests that how and whether we write letters has great significance.

Of course, some conversations and likewise some letters focus on practical matters in a way that has little to do with deepening our relationships. Other conversations and letters are very much an exercise and function of a relationship itself, and it is these on which I reflect now.

Letters traditionally have played a very important role in how two people—such as lovers, spouses, friends, family members, teachers and students—not only get to know one another but also to some extent simply enact their relationship. In written conversation, as in in-person conversation, we live together by sharing our inner life. Experience shows that taking the time carefully to formulate written words is a unique and oft irreplaceable mode of self-expression, and so also of coming to self-knowledge. Even spouses or friends who live together often find writing a letter an indispensable means of communicating.

When we hear Jim Croce sing that “every time I’d tried to tell you the words just came out wrong, so I’ll have to say I love you in a song,” we immediately grasp that words other than those directly spoken are often needed to capture what is in our soul. And the carefully measured words of a letter, or perhaps a poem within a letter, are often precisely what is needed to give nuance and depth to crucial ‘conversations.’

This closely relates to the second point, that the other person, though absent, is held by an image in our mind as we write. I love this point. Of course there is a danger that we will speak, as it were, to a fabricated image, and perhaps not really reckon with the other as he is. Yet it seems to me that writing a letter prompts us to face this danger. We strive from a distance really to see the other and to dwell with him. We anticipate how he might hear our words, and we make adjustments ‘in his presence’ from afar, enjoying a certain space for careful reflection.

A well-considered letter, then, is a kind of preparation and a promise, sent in the hope of in-person fulfillment. Done well it expresses what might not have been sayable, at least not yet, in person. In this way the letter can deepen our contact while making possible even richer contact next time in person, even if we don’t know when the next time will be.

Writing a letter by hand is of course a kind of gold standard. I think that it, especially versus email, facilitates the two points we’ve noted: that writing is a real conversation, with the other present in our mind. The good news is that simply being aware of the advantage of writing by hand can prompt us to deepen our practice of emailing, making it as much like ‘writing’ as possible. Perhaps today we can raise the bar as we utilize the ease of writing to people by email, as well as consider dusting of the stationary and pens.

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Image: detail of Man Writing a Letter by Heinrech Breling

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